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Dweb for Creators Knowledge Base
Praxis 3

Critical Dweb Art Projects + Practices

with Sarah Friend Ayana Zaire Cotton

Essential Resources:

Session Slides
Activity Guide
Lecture Notes

Learning Outcomes

  • An introduction to popular tools for decentralized organizations.
  • An understanding of how curators, galleries and institutions are using Dweb.

Materials Needed

  • A computer or device with Zoom installed, with camera and microphone.

Prerequisites

  • Install Metamask extension on your web browser

Session Description:

Critics have cited a lack of trust in institutions as the impetus for the rise in decentralized web technologies — warning about centering individual ownership and the ways extremist views might thrive in these decentralized spaces. How might centering collective ownership and developing praxis rooted in collective imagination allow us to seed ways of working and being on a decentralized web reinforce care instead of conspiracy?

This class will look in depth at approaches to integrating Dweb tools into art practice from curation, to publishing, to studio art and community building. We will kick the session off engaging with case studies of art practices and projects that leverage decentralization as a method of community building followed by an open discussion to critique, synthesize and imagine alongside these case studies. Next up, we will explore some of the tooling behind NFTs and artist DAOs (decentralized autonomous organizations), ways to hold assets in common. Together we will do a hands-on activity using some of these tools, looking at when they can be helpful as well as their pitfalls. What would a fully Dweb art world look like and is it a world we desire?

Additional Resources, Citations & References:

  • Web3 is Self-Certifying, Medium by Jay Graber Dec 2021 Web3 is Self-Certifying, Medium by Jay Graber Dec 2021
  • Cyberfeminism Index by Mindy Seu
  • OURS TO HACK AND TO OWN: The Rise Of Platform Cooperativism, A New Vision For The Future Of Work And A Fairer Internet
  • Race After Technology: Abolitionist Tools for the New Jim Code
  • jpg.space A curation layer for Web3
  • Metamask Wallet Browser Extension
    Prerequisite
  • Radical Friends: Decentralised Autonomous Organisations and the Arts
  • NFP Garden Non-Fungible Plants
    By Grow Your Own Cloud
  • Ella Taught Me: Shattering the Myth of the Leaderless Movement
    By Barbara Ransby Published on Colorlines
  • Callings & Roles for Collective Liberation
    Developed by Slow Factory
  • Fellow Research: The Decentralized Web of Hate
    Published by Mozilla
  • The Hidden Dangers of the Decentralized Web
    WIRED
  • Faucet Sepolia PoW Faucet
  • Sample Token - Sarah Friend Sample Token - Sarah Friend
  • Reference - Sarah Friend Reference - Sarah Friend
  • HackMD: Critical Art Practices https://drive.google.com/file/d/1zlApOEpZCSYMU1PMeI0enCZQXsPq_cb_/view?usp=drive_link
  • Octavia's Brood Science Fiction Stories from Social Justice Movements
    Edited by adrienne maree brown & Walidah Imarisha Published by AK Press
  • Iyapo Repository // Artist Talk, 3/20/2017 Iyapo Repository founders Salome Asega and Ayodamola Okunseinde
    published by The Frank-Ratchye STUDIO for Creative Inquiry
  • Alisha B Wormsley on Radical World Building through Collective Dreaming
    Alisha B Wormsley Feminist Publishing and Tech Speaker Series
  • The Mundane Afrofuturist Manifesto
    by Martine Syms Published on Rhizome.org
  • Lo—TEK. Design by Radical Indigenism
    by Julia Watson published by Taschen
  • Rewriting The Future: Using Science Fiction To Re-Envision Justice
    by Walidah Imarisha